In the middle of June 2019, I found myself in the hospital. Less than five hours later, delirious and weak, I performed as King Arthur in Monty Python’s Spamalot, the lead role. I found myself wondering “why do I do this to myself? How did I allow myself to get to this point?”.
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Known by his project George After James, James Fistonich has seemingly mastered the art of creating personal and cinematic yet accessible and relatable music; his recent show has exceeded any expectations by proving him as not only a strong musician, but as an incredibly strong performer.
